Survey of UK Music Rehearsal Spaces 2016
- Trevor Mason
- Sep 18, 2016
- 2 min read
Updated: Mar 1
Bandspace conducted a survey of music rehearsal spaces between September 2015 to August 2016.
We asked two questions with 50 responses from music rehearsal spaces:
1) Roughly, what is the end purpose of bands using your music rehearsal space?
Over half the groups were preparing to perform local gigs. Nearly one fifth were making music for ‘fun’ with friends. A smaller number were rehearsing prior to recording and touring.

2) Generally speaking, how do bands book your music practice rooms?
The trend was over half of users to book a practice room using a phone. Nearly one fifth used email, while online booking was in its infancy. Visiting to book a practice room in person was less frequently reported. We expect these findings may change as music rehearsal spaces and users increasingly use online tools.

Respondents
We appreciate the contributions to help us complete the 2016 Bandspace Survey from the following 30 music rehearsal spaces:
Abbey Lane Studios
Alternator
Artisan Music Studio
Backstreet Studio
Bally Studios
Cardiff Arches
Catalyst Studios
Green Room Studio
Groove Studios
Ktown Studios
Lansdown Studios
Lucky Stone Studio
Mill Hill Music Complex
Mushroom Rehearsal Studios
Next Step Studios
Plug Studios
Pro9ect
Przestrzensztuki
Redfern Studios
Rock Hard Studios
Rocking Horse Rehearsal Rooms
The Rooms Rehearsal Studios
Terminal Studios
The Bunker
The Cold Rooms
The Control Rooms
Tweeters
Two Rivers Production Co.
Upland Studios
Witney Music Studios
Methodology
We used the online survey software, Survey Monkey, promoted via the Bandspace Facebook page on a weekly basis. Although the survey was anonymous, respondents were given the choice to attribute their responses to their business name (30 out of 50 gave their names). Respondents were asked to estimate the percentage proportions in their answer to each question. The percentage results were aggregated and divided by the number of respondents for each question.
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